Greetings My Well Wishers
I had vowed to write more and more on diverse topics, making the Blog as intriguing as possible.
But a You Tube Video compelled me to write this piece on Cinema Appreciation, something I was trying to avoid for some time. Sorry Adit & Shankar, I’d promised you that I’ll take on more & more diverse topics, but don’t worry, all my upcoming topics will be NOT related to movies.
I was just watching a Video on one of my favourite TV shows – “The Green Hornet”, when I came across this video in the related videos section. The Video was titled, “The greatest Indian movies ever made”.
After watching the 3 minute long Video, I was left with mixed feelings. Feelings of Amusement, Absurdity & the feeling of being Pissed Off.
Well, the movies in the video were touted as the Greatest Indian Movies ever made. This was absurd. Because all the movies listed over there were Hindi Movies. And not surprisingly, all those Hindi Movies were post 1990 Releases.
It was clear that the Creator of that Video was some Dumb Ass Teenage Punjabi or Gujrati NRI brat for whom Indian cinema means only Bollywood. (Not to offend my Punjabi & Gujrati friends, but these two are the only communities along with Tamil & Malyaalis who constitute majority of the Indian Diaspora, and unlike the Tamil and Malyaali communities, the Punju & Gujju N.R.Is watch only Hindi films)
I’m sure that ignorant fool had no idea about the Regional Cinema of India. Its a well known fact that some of India’s best films have come from Bengali Cinema. Who can forget Satyajit Ray’s Apu Trilogy highlighted by the internationally acclaimed “Pather Panchali“. Or Mrinal Sen’s epic Bhuvan Shome. Or Rituparno Ghosh’s work of art. “Chokher Bali“.
Not just Benagli cinema, we’ve had Brilliant Films from other parts of the country. From Maharashtra we’ve had the Masterpiece “Shwaas“.
From Tamil Cinema we’ve had the heart & soul touching Kamal Hassan starrer , SR Singeetham directed Apporva Sahodarargal, which was later dubbed in Hindi as Appu Raja.
Another Kamal – Singeetham product was the Silent movie “Pushpak” (Perhaps the only movie made in the 80’s that had no Spoken Dialogues).
Kamal Hassan later gave a performance of the lifetime in “Indian” where he starred as a 70 year old former freedom fighter who fights corruption in Modern Day India, even if it means to Kill his son for a corruption free nation, he does it.
I’m not a fan of Rajnikanth’s movies. I find most of them way over the top. But I simply loved his “Thalpathi” (Dalpati in Hindi), that was Directed by Mani Ratnam and was arguably the best Gangster movie ever made in India (Not Ram Gopal Verma’s Staya, Company or Sarkar)
And the there was Malyaalam cinema’s finest, “Manichithrathazhu”. Bollywood ruined a great film by re-making it into Bhool Bhulaiya, which was complete Bullshit when compared to the original.
And Punjabi Cinema gave us “Jee Aayan Nu“, a tale of unconditional love across 2 continents.
I feel I’m deviating from the subject, let me stick to the topic.
The teenage NRI Dumb Ass who had uploaded that video about India’s Greatest Movies had not seen any regional movies. He/she also had not seen any Pre-1990s Hindi Movies. All I wanna say, such unqualified people should have no right to put Non-sense Videos like that on You Tube, as they don’t have any idea about Indian or for that matter Hindi Cinema.
And look at the movies he/she had put as top 10 movies of Indian cinema – Kabhi Khushi Kabhi Gham, Main Hoo Na, Veer Zaara, Devdas, Lagaan, Dil Chahta Hai, Hey Ram, Swades, Dil Se & Dilwale Dulhaniya Le Jayengae (DDLJ).
Agreed, Lagaan, Dil Se, Swades, Hey Ram (To some extent) and Dil Chahta Hai were great films. But films like Kabhi Khushi Kabhi Gham, Main Hoo Na, Veer Zaara, Devdas & DDLJ don’t qualify as Great Films or Best Films of Indian or Hindi Cinema.
DDLJ was ok, but Kabhi Khushi Kabhi Gham, Main Hoo Na, Veer Zaara & Devdas were all Pure Crap.
I’m sure like most NRIs, this dumbass was also a moronic Shah Rukh Khan fan, and when u are a Shah Rukh Khan fan, you either are Gay, or Blind, or a Retard or you have no idea of what Good Entertaining Cinema means.
As I’m on of the very rare viewers of Hindi Cinema who totally detests Melodrama and Lavish Musical Films, instead appreciates quality cinema. And I’ve seen enough of Western, Asian & Hindi Cinema (Both old school, 70s & the New Bollywood Crap) so my idea of quality cinema is better than most. I present to you my list of the Finest and the Greatest Films of Hindi Cinema (That after watching Hindi movies of every era)
And its been not an easy job, as I’d to shortlist 10 deserving Masterpieces from a long list of Cinematic Gems.
To prove that I’ve done extensive research, I’m mentioning the names of all the movies that were all Masterpieces but could not make the top 10 cut.
Honorable Mentions – Mother India (1957), Khosla Ka Ghosla (2006), Saaransh (1984), Andaaz Apna Apna (1994), Johnny Gaddaar (2007), Deewaar (1975), Gol Maal (1979), Buddha Mil Gaya (1971), Angoor (1982), Johnny Mera Naam (1970), Mission Kashmir (2000), Jewel Thief (1967), Kaante (2002), Sadhu Aur Shaitaan (1968), Kunwara Baap (1974), Pyar Kiye Jaa (1966), Kabul Express (2006), Hera Pheri (2000), Lagaan (2001), Raakh (1989), Naam (1986), Anthony Kaun Hai (2006), Gumnaam (1965), Muqaddar Ka Sikander (1978), Baazi (1951), Parwana (1971), Namak Haram (1973), 3 Deewarein – 3 Walls (2003), Black Friday (2007), Dil Dosti Etc (2007), Iqbal (2005), Lakhon Mein Ek (1971), C.I.D (1965), Company (2002), Abhimaan (1973), Do Bigha Zameen (1953), Satyakam (1969), Arjun (1985), Zanjeer (1973), Don (1978), Kaala Patthar (1979), Chupke Chupke (1975), No Smoking (2007), Baat Ban Jaye (1986).
So, Here are, in my opinion, the 10 Greatest Movies of Hindi Cinema -
10. Munna Bhai MBBS -
Starring - Sanjay Dutt, Arshad Warsi, Sunil Dutt, Gracy Singh, Booman Irani, Kurush Deboo and Jimmy Shergill
Directed By - Vidhu Vinod Chopra. Year Released – 2003

Slightly inspired by the Robin Williams starer Patch Adams, Munna Bhai MBBS was truly one of the most Unadulterated comedies of Hindi Cinema. Instead of being set in the UK, USA or Switzerland, the movie was set in a Medical College in India. The Cast members wore simple clothes rather than flashy designer outfits. There was hardly any Cheap Vulgar joke in the movie, unlike comedy films such as No Entry, Masti & Kya Cool Hain Hum that followed this movie.
The best thing about the movie was that it was purely entertaining and not Preachy like its sequel Lage Raho Munnabhai (which I didn’t like much). The chemistry between the GUNDA turned Medical student Sanjay Dutt and his right hand man Circuit – Arshad Warsi was absolutely perfect. We also got to discover a gifted natural actor in the form of Booman Irani as the eccentric Dr. Asthana. Kurish Deboo was hilarious as Dr. Rustum. And this was also Veteran Thespian, Late Sunil Dutt’s last film.
However I’m still annoyed with the movies Director Mr. Rajkumar Hirani, coz after the movie had ended and even after the sequel Lage Raho Munnabhai had ended, there were 2 very difficult questions from this movie that still remain unanswered. Those question are: -
Q-1. Agar Casualty ward ke baahar koi marr raha ho, to usse form bharna zaroori hai? - Asked by Munnabhai.
Q-2. What is the Procedure to change the room? - Asked by Swami.
Hope Mr. Rajkumar Hirani answers these questions in the 3rd Film, Munnabhai Chale America.
9. Naya Daur -
Starring – Dilip Kumar, Vyjayanthimala, Ajit, Leela Chitnis & Jeevan
Directed By – B.R. Chopra. Year Released – 1957

Naya Daur is a story of a young village man who wants to challenge the onslaught of machines in his daily life by building a new road in his village. B.R. Chopra has beautifully portrayed this story of the triumph of the human spirit when pitted against seemingly insurmountable odds.
The films had Unforgettable songs – Saathi Haath Badhaana (The Anthem for Teamwork), Maang Ke Saath Tumhaara Maine Maang Liya Sansaar and the Patriotic Band favourite song – Yeh Desh Hai Veer Javaano Ka Albelo Ka Mastano Ka.
The lead stars – Dilip Kumar, Ajit & Vyjayanthimala gave terrific performances.
The Movies theme -no matter how much technology advances, Manpower always wins – was Simply AMAZING.
8. Padosan -
Starring – Sunil Dutt, Saira Banu, Kishore Kumar, Om Prakash, Agha, Mohd. Mukri, Keshto Mukherjee & above all Mehmood
Directed By – Jyoti Swaroop. Year Released – 1968

In the heart of this simplest and gentlest and the most hilarious of tales, lays comedy in its purest form. Never has there been any Comedy in the history of Indian Cinema, and there never will be a comedy, which makes you Laugh no matter how many times you watch it, and whenever you watch this film, you watch this with the same amount of excitement as you watched it the last time.
The Movie had an ensemble cast with Sunil Dutt as a naive and stupid Bhola, a former Brahmachari turned lover boy, obsessed with his sexy neighbor Bindu (Saira Banu). To woo her, he uses the help of his Singer friend, Kishore Kumar (Brilliant). He also has fellow comical genuises Mohammed Mukri and Keshto Mukherjee for company. There are also other comedians, Om Prakash & Agha who provide quiet many laughs.
But its with the entry of Mehmood, as the South Indian Music instructor (Masterji) who steals the show from everyone. Watch his crazy antics in the song “Ek Chatur Naar Kare Singhaar“. And also the sequence when in the song “Kehna Hai Kehna Hai”, where Saira Banu discovers that its not Sunil Dutt whose singing, but only lip syncing while Kishore Kumar was actually singing all the time. And who can forget the Kishore Kumar created Slang – Bangru.
This is perhaps the only Hindi film that has not even a Single Dull moment in it, and its a comedy that will make you laugh like a Hyena no matter how many times you watch it.
7. Sholay -
Starring – Dharmendra, Sanjeev Kumar, Amitabh Bachchan, Hema Malini, Jaya Bhaduri, Amjad Khan, Satyan Kappu, A.K. Hangal, Mac Mohan, Jagdeep & Asrani
Directed By – Ramesh Sippy. Year Released – 1975

Many of you must be wondering, why have I ranked Sholay not so high in the list. Most lovers of Hindi Cinema consider Sholay as the greatest Indian/Hindi Film ever made.
Agreed, Sholay was a cult masterpiece, but not Path Breaking Cinema by any means.
For the length of the film was too long testing the viewers patience, it went into flashbacks time and again, the story moved at a lethargic & sluggish pace, there were just too many characters in the film and Dharmendra overacted in most parts of the film.
On top of that, this Film was Billed as a Curry Western, or what we call a Desi Cowboy Flick. The script was not at all original. It was a KHICHADI made of ingredients from “The Good, The Bad and The Ugly”, “The Seven Samurai”, “How the West was won” & “The Last Race”.
But hold on, in spite of its share of flaws, SHOLAY was a cult film that has had a cult following for the past 3 decades and will continue to be loved by future generations.
Reason – Well the Primary reason for Sholay’s success were its Dialogues, its biggest Asset. In the Seven Decade history of Indian Cinema, there has been no other Hindi Film whose Dialogues became extremely popular catchphrases. Even today, all the street kids mouth Dialogues like “Arre Oh Sambha Kitne Aadmi the”, “Yeh Haath Humko Deede Thakur, “Tumhaara Naam Kya hai Basanti”, “Jab Tak Tere Per Chalenge Iski Saanse Chalenge”, “Itna Sannata Kyun Hai Bhai” , “Tumne Ek Maara Tha, Hum Chaar Maarenge” & “Main Ek Ek Ko Chun Chun Ke Maaronga”.
And Sholay also gave Indian Cinema its funniest caricatures – From Asrani’s “Angrezon ke Zamaane Ke Jailer” to Jagdeep’s “Soorma Bhopali” and also Satyan Kappu’s “Ramlal“.
Sholay didn’t belong to Dharmender or Amitabh Bachchan, (the Former Hammed & the latter was underutilised). Sholay was a complete Sanjeev Kumar & Amjadh Khan show. In fact whenever we today talk about Sholay, its names like Thakur and Gabbar that come to our mind first and not Jai-Veeru.
The world would be a poorer place without films like Sholay, not only because of the almost arrogant instantaneous and total suspension of disbelief it demands from its audiences, but because of the honesty and sheer power of that demand. You go to a boxing match to see two boxers fight it out, not to see them playing chess in the middle of the ring!
Sholay will always be an incredible and shining example of purity, because it was the purest attempt made to entertain, with absolutely no quarters even considered for critical acclaim from the so called pundits of cinema.
Its no wonder why My Dad and people of his generation saw this Movie at least 7-8 times in the Theaters when it was released back in 1975.
6. Haasil -
Starring – Jimmy Shergill, Irfan Khan, Hrishitaa Bhat, Ashutosh Rana, Sudhir Pandey, Sharat Saxena, Tinu Anand & Rajpal Yadav.
Directed By – Tigmanshu Dhulia. Year Released – 2003

Haasil continues to be the Most Underrated & Under-appreciated Movie, not just of Hindi Cinema, but entire Indian Cinema. I lament the fact that the careless youth of today doesn’t remember this Masterpiece. As I’ve said before, if we do a survey in any Metro or Mini-Metro of India, 9 out of 10 people would certainly NOT have seen it, and in fact 5 out of 10 people would not be even aware of the fact that such a film was ever made. And the reason for that is- simple No Khan (Discount Irrfan), Kapoor, Bachchan, Dutt or Deol in the Film and no Chamma Chamma, Chaiya Chaiya or Mahi Ve kind of song.
Haasil is a simple tale of the ugly world of Student Politics set in the Semi-Urban Allahabad. The Hero here doesn’t sport Six pack Abs, and the heroine doesn’t run around in a Bikini on Brazilian Beaches nor wears Chiffon Sarees in Switzerland. So we know why people gave it a miss.
The film shows us the reality. The film has done what it can do though, to stand up and be counted, and that is to achieve a level of brilliance in film making experienced only few times a decade, or sometimes in a lifetime.. A film where technique serves the film and not the other way round, where the film making isn’t rigid in its adherence to one style but a multitude of tricks to draw us into itself.
Irrfan Khan makes Rannvijay Singh the meanest villain in Hindi Cinema, even Gabbar dwarfs in front of him. The change in the protagonist Jimmy Shergill’s thought process, from the peace loving, to the extremist, to the Betrayed and finally as the Rebel is depicted wonderfully. Kudos to Mr. Dhulia for that.
I’ve seen great films vanish before my eyes, and I think a film can only do so much as far as writing its own fate is concerned. The rest is left to us, to recognize it, to grab its feet and place it on our shoulders and give it a ride of its life. If ever a film deserved that, it is this little overwhelming gem here, and I sure do hope to contribute my little bit in promoting it. Maybe even shout on rooftops. I hope my praise for the movie on My Blog will get it noticed.
5. Kagaz Ke Phool -
Starring - Guru Dutt, Waheeda Rehman, Veena Verma, Johnny Walker, Mehmood, Kumari Naaz & Mahesh Kaul
Directed By – Guru Dutt. Year Released – 1959

Guru Dutt as a Director was way ahead of his times. He talked about Issues like Divorce & children’s custody in the times of Joint Families. Thats why most of his Masterpieces went over the regressive audience’s heads.
There is a vast difference between being emotionally inert and being emotionally hollow. Kaagaz Ke Phool is hollow. An emotional hollowness that engulfs us, holding us captive along with these tragic characters. I say captive because I so desperately wanted them to make things up, but our nature and the choices it sometimes leads us to make often renders the tragedy inevitable. There is a great deal of silence in the film; most of these moments between the protagonist Suresh Sinha (Guru Dutt), his muse Shanti (Waheeda Rehman) and his wife Veena (Veena Verma).
Guru Dutt’s melancholic masterpiece, and India’s first cinemascope film, weds visionary and often breathtaking cinematography to an archetypal but anachronistic storyline. I recommend the film nonetheless, not in least because it is seemingly incomprehensible but because it is beyond that. It is an experience; the mood is low key, the atmosphere surreal. We might never be on the same page but it is always engrossing. And that is nothing short of an achievement. I would recommend it to people who aren’t seeking just entertainment but look forward to debate and discussion not only over the film’s theme but the filming process in general.
4. Dil Chahta Hai -
Starring - Aamir Khan, Saif Ali Khan, Akshaye Khanna, Dimple Kapadia, Priety Zinta, Sonali Kulkarni, Suchitra Pillai-Malik, Ayub Khan, Suhasini Mulay, Rakesh Pandey & Rajat Kapoor
Directed By – Farhan Akhtar. Year Released – 2001

Dil Chahta Hai till date has been the Coolest film made in Hindi Cinema. The Urban Youth greeted it with an almost messianic fervor when it was released.
Shouted The Indian Express, “Finally, a film that the youth of this country can unabashedly embrace!”
Aamir Khan proved with this film why he’s the Most versatile actor in India today, as he dabbles all kinds of emotions here. Saif Ali Khan finally silenced his critics by proving, he can act. And we all came to know what a Mind-Blowing and Intense cum minimalist actor Akshaye Khaana can be.
The plot, ah that is one thing of real marvel here. Male Bonding was a subject untouched in Hindi Cinema.
The first word that comes to my mind while I intend to describe this movie is Efficiency. There have been few movies that so effortlessly make you laugh & cry at the same time, get you acquainted with such rich characters and pull a fast one on you. Endlessly inventive, this is not one of those films that are just that. It explores the psychology of being a 21st Century Urban Upper-Middle Class Straight Guy.
And hardly has there been any Hindi Movie in the past Decade whose each and every song became a youth anthem.
3. Jaane Bhi Do Yaaro -
Starring - Naseer-ud-din Shah, Ravi Baswani, Satish Shah, Om Puri, Pankaj Kapoor, Neena Gupta, Satish Kaushik, Deepak Qazir and Bhakti Bharve
Directed By – Kundan Shah. Year Released – 1983

Truly a timeless cult classic. It is undoubtedly the most remarkable political satire ever made in Hindi Cinema.
This is what we call a “Black Comedy”. The movie exhibits a superb sense of comic timing and wit in each and every frame. To unmask the face of corruption, Director Kundan Shah has used the humour quite brilliantly. Especially the last scene where all the actors appear on stage in different characters of Mahabharatha is absolutely brilliant.
Also, a scene where drunken Om Puri (as Ahuja) comes across the dead body (Satish Shah) in a coffin and then tows it away is absolutely hilarious.
And who can forget the famous Catchphrase from the Movie – Thoda Khao, Thoda Pheeko.
Combining the entertaining elements with the philosophical undertones, this is as smart as movies can come. Consistently funny but brutally intense in that unique Kundan Shah sort of way.
The performances, ah, that is a no-brainer. You put talent as rich as , Naseer-ud-din Shah, Om Puri, Pankaj Kapoor, Om Puri, Satish Shah & Satish Kaushik in one room and you wonder about the performances. Of course this is one of the finest ensemble performances, right in the league of another ensemble masterpieces, like The Departed, Magnolia, Ocean’s Eleven, The Usual Suspects, The Untouchables and even Glengarry Glen Ross.
2. Anand -
Starring - Rajesh Khanna, Amitabh Bachchan, Sumita Sanyal, Ramesh Deo, Asit Sen, Lalita Pawar, Durga Khote & Dara Singh
Directed By – Hrishikesh Mukherjee. Year Released – 1971

What a privilege to have been witness to such a wonderful motion picture. A cinematic triumph so tender, so gentle yet so powerful. This is the rarest of cinema; this is the reason why a motion picture is such an important medium of art, maybe the most important medium of art.
I’m at a loss of words to describe it. I cannot explain in simple words how such an economic work can be so breathtakingly beautiful and powerful at the same time. That was Hrishikesh Mukherjee’s magic. He was the Rebel filmmaker of his time. When all other Directors made mindless larger than life films where The Hero & the Heroin ran around tress and wept like babies, Hrishikesh Mukherjee made films that had simple themes, characters we could relate to and the whole movie had a Middle Class set up, something thats extinct in today’s movies.
It is a work of great intelligence and subtle intensity, every frame greatly observant of the varying moods. I’m at a loss of words at describing how affected I was by this movie at the moment, but all I can say is this is one of the finest motion pictures I have seen. ANAND represents cinema at its finest, at its peak- accessible to the lowest commonest denominator yet compromising nowhere on quality. I just cannot stress enough how wonderfully gentle and beautiful this movie was, and such a wonderful character study.
Rajesh Khanna so effectively captures the easy going personality of the protagonist Anand Saigal. Part of it owes to his previous effort at playing the same man in the film SAFAR but we would know him more from movies like Aradhana and Amar Prem. This film also marks the arrival of Amitabh Bachchan, and he’s fantastic as Dr. Bhaskar Banerjee. Dara Singh is also excellent in a sweet cameo as a Pahalwaan.
I strongly Pooh-Pooh Karan Johar & Nikhil Adavani for stealing Anand’s plot, and making a Trashy & Crappy Kal Ho Na Ho which was not even 0.0000000000000001% close to Anand.
And the Greatest Film of Indian Cinema is.
Think, think. Guess
1. Guide
Starring - Dev Anand (Performance of a Life Time), Waheeda Rehman, Leela Chitnis, Anwar Hussain, Gajanan Jagridar, Krishan Dhawan, Rashid Khan & Kishore Sahu
Directed By – Vijay “Goldie” Anand. Year Released – 1965

Movies will come and go in Indian Hindi Cinema. We will have Masterpieces like Sholay, Dil Chahta Hai, Haasil & Anand and Duds like Devdas, Om Shanti Om, Tashan and Dhoom 2.
There may have been movies like Lagaan, Mother India, Mughal -e-Azam, Pyaasa, Hum Aapke Hain Kaun or Dilwaale Dulhaniya Le Jaayenge that won mass popularity.
But after watching all kinds of movies, I say without hesitation, there has Never Ever been a Movie made in Bollywood that leaves its image on your mind, the way Guide does. Period. Guide is the film, that on repeated viewings grows on you. And its perhaps the only Hindi Film that I’ve been obsessed with.
I’ve watched tons of Hollywood, European & Asian movies, but Guide scores over most of them.
Guide is an impeccable work of art, not simply a movie. I see it as an epic, a lifetime achievement for all those who were a part of it. The reason for that is because its based on visionary author R.K Narayan’s novel called THE GUIDE. The Novel itself was way ahead of it times, Written in the 1940’s, it talked about Extra Maritial Affair and Live-in Relationship and how the Media makes a Demi-God out of a Common Man.
GUIDE is the story of an average Joe called Raju. He’s a tour Guide and a big time extrovert. He is not rich, he’s not exactly a good human being, he’s not always successful,he’s loved by some and hated by many, he’s poor but soon becomes wealthy, he takes on gambling, smoking & drinking and he forges a signature and lands up in jail.
But its after his release from the Prison, the story goes to another level. Some innocent uneducated villagers mistake him for a saint and start treating him like a God. He takes advantage of it, but nonetheless works for the welfare of the village people. But suddenly theres a Drought, people are dying of Starvation and Raju gets trapped, he has to offer prayers and fast for 12 consecutive days so that it rains in the village. Raju tries to run away, but then is stuck with the Dilemma about Villagers will loose all the faith in him and his own survival.
Can there be a story as rich as this one.
The performance by the cast is brilliant. It is in fact a tribute to the genius of Vijay “Goldie” Anand. I have always maintained that it is up to the director to extract a performance from his actors and the latter are just set-pieces in his hands. Vijay Anand was always in control of his actors. Many great directors including Martin Scorsese & Tim Burton give a lot more freedom to their actors. But Vijay Anand’s actors are always his tools. He extracts the exact precise expressions from his actors to drive home his point.
And so, Dev Anand gives the Performance of a lifetime. And Waheeda Rehman matches Dev Anand in every scene with equal competence.
And the music of the film, I don’t think there has ever been any Hindi Film with Music as DIVINE and MEGA MELODIOUS as that of the Guide. Songs like Tere Mere Sapne, Aaj Phir Jeene Ki Tamanna Hai, Gaate Rahe Mere Dil, Din Dhal Jaaye and above all Yahaan Kaun Hai Tere Musafir are the Finest musical compositions in the history of Indian cinema. No other Hindi Film has ever had each & every of its song to be a Pure Gem. This proves why S.D. Burman was India’s best Composer. Period.
And special mention is to be made of the camera work by Fali Mistry. The camera in the entire movie is one character moving among these individuals. It is always an instrument to convey as to what the character is feeling right from the intense Dev Anand’s debate between the Saint and the Devil inside him to the Shots of the Rajasthani palaces in the song “Aaj Phir Jeene Ki Tamanna Hai”. Seldom have I seen camerawork so brilliant that you understand the heart and plight of the character.
I would bet that you are going to be seduced by this movie and will watch this movie again and again, just like most of my friends did.
So that was my List of Hindi Cinema’s 10 Greatest Films. Lets see how much you agree with it. It took me 7 hours to compose this Piece.